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Points of Light

by Noah Zacharin

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Eli Marcus
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Eli Marcus Noah Zacharin's most diverse and mature album so far. Impeccable guitar playing and wonderful solid songwriting that sometimes reminds me of Tom Waits ("17 Minutes") and Jerry Jeff Walker ("Done Gone Gone"), there is even an old Tin Pan Alley or Ragtime style ditty ("Lester Brown"). After listening to this album repeatedly in my car, at least 3 or 4 songs keep playing in my head for a week or more, and that is for me the test of a wonderful album.
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  • Compact Disc (CD) + Digital Album

    Six-panel Digipak
    Beautiful photography by Mark Maryanovich, Tzvika Aviv, and NZ
    Full and legible lyrics
    Design by Richard A Jacobson -- deadcatstud.io

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  • Full Digital Discography

    Get all 7 Noah Zacharin releases available on Bandcamp and save 30%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Points of Light, silence spoken here, crow dark wind II (perhaps), Waiting on Your Love, crow dark wind, a Startle of Wings, and Strange Rider. , and , .

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1.
there’s a blue cloth on the table a pint or two to hold it down you know how the wind blows wild in the dim light of this town there’s a pair of hands I’ve held a pair of eyes in which I’ve drowned where’s the paradise I’ve been shaken in when love made the sirens sound ten tons of road beneath my wheels a million miles of skies above cannot take me far enough to ever forget our love I keep a couple of pieces of gravel in the heel of my left shoe they remind me as I travel of each step I took away from you there’s a carving in an old oak tree my sweet-edge penknife made where are you my darling it’s cold in the shade ten tons… now the tulips they are opening as the daffodil begins to wilt the crocus it’s just history see this house I’ve built I wanna know everything I wanna love everyone when you come to me and my money’s gone I’ll buy you drinks with gold of the sun ten tons…
2.
17 Minute 04:51
flowing river don’t mean much to me nor wind from the north rattling the leaves only steam and whistle and wheels that shake the joint metal on metal on to the vanishing point train pass by every 17 minute each one got one of my old loves in it oh I’m gonna miss that train sweet jellyroll and whiskey in the jar I rolled for the nine I got snake-eyes in my own backyard but I’m alright with how she got free my watch keeps good time and my knife keeps me shining company train pass by… train blow a whistle like baby’s loving sweet in the leaving as it is in the coming oh I’m gonna miss that… stars fall from a quiver in the sky by a pond I shiver splashed by the sound of goodbye but everything is diamond everything is coal ‘round a blues bend there’s a bluegrass banjo roll train pass by…
3.
Bed of Nails 04:10
he got a face like a catchers mitt pitch a little mother’s love at that she gets by without a trace of wit who’s on first when no one’s up to bat she sells cheap pills by the schoolyard on Sundays from a back yard shed he sails up and down a ragged shore sure his drowned child’s not really dead it’s so pleasant on my bed of nails staring up at points of light try not to move don’t think about too much falling stars and fireflies tell you it’s alright she got the stripped elm body of a boy wild child with wind in flaming hair he got a flask of silver by his heart all the joy and love tin-man needs are there he got strips of duct-tape stuck to his head they help him hear the voices when they call she got a mirror mirror on the wall seems nothing’s fair at all it’s so pleasant… aqueducts and order legions on the hill coliseum nights and other blasts all fall down like jack and jill tragic tale and a kamikaze cast it’s so pleasant…
4.
this whiskey made it through the winter it’s still got a bite I lift one to the master farewell farewell goodnight too many losses for my fingers hands can’t steady anyone here on crumbling mountain there is so much work to be done I was driving my particular darkness a radio voice placed him in the past the whole world dimmed a little Texas stars at half-mast can’t blame the constellations the spirit or the sun on a one-lane road of moonlight there is so much work to be done I don’t have much to hold me here no pistol pony wife or kid but I got a sweet cabin and a guitar from Austin and what little good I did and if I get another morning I’ll know it by the sun angling in on a whisper there is so much work to be done he wore denim and a stetson had a chisel a pencil and a grin a master with a job don’t ask how or why he just asks what and when so play it on your daddy’s dobro or fire off a twenty-one gun there’s salt in the rio grande and there is so much work to be done
5.
Red Red Bird 04:45
oh my darling sometimes you feel so far away I got the stumble of an infant the embrace of a man of clay you work to find sweet water a place where you can pray oh my darling sometimes you feel so far away but my heart is a red red bird soars above the dust and dirt sings a song you never heard my heart is a red red bird nothing we can count on to face the rising flood best we get might be to hold each other slip together in the mud oh taste the racing water feel the cooling of the blood nothing we can count on to face the rising flood but my heart… nothing in the word can put the leaf back on the tree or colour the ghostly outline of those who hover just out of reach oh teach me how to find that better hour that you see nothing in the word can put the leaf back on the tree but my heart…
6.
it’s the same old story I once loved a girl when I was in her arms I was in a perfect world I held her for a day short of forever then she went away now the seas we swam and the skies we shared are gone what have I got to show for it what have I got to show for it what have I got to show for it now it’s a sweet old season of leaf and pretty thing boys and girls go arm-in-arm bees buzz about the nectar and the sting soon the shiver’s on nights blow cold and they grow long faded petals fall like a thousand setting suns what have I got to show… now an elegant woman wants to put joy back in my days she wants to paint a little colour on the grey face of my little pain I hold her in my arms but she leaves before the dawn without leaving even a trace of scent behind what have I got to show…
7.
Lester Brown 02:51
bowler and a tie silk and satin guy fine Italian shoes it’s Lester Brown you hear the ladies sigh you know the reason why word is out: Lester’s back in town and when he walks by twirls a stick and winks an eye the ladies blush like springtime on the rose steaming apple pie evening drawing nigh won’t be long before the sunset hour glows now there’s a sweet magnolia breeze catbirds in the trees a little sugar with your lemonade you can curtsey if you please hear the cornet melody Lester’s back on the Basin Street parade and when he walks past it happens all so fast he lights ‘em up like match to gasoline and the setting sun’s outclassed at how that Lester lasts dusk to dawn he shines on New Orleans
8.
Tom Morrow 04:36
I got a friend his name is Tom his granddaddy’s name was Jesse now Jesse is gone like yesterday’s song he taught Tom that each day is a blessing my friend Tom my friend Tom Morrow Tom Morrow he the man you got pain you got sickness or sorrow he’ll be there as quick as he can his dad is Todd it’s Todd Alexander for short they call him Todd A he can seem a scary guy with thick wrists and a voice of thunder when the heir walks in the sire runs away my friend Tom… his mom is Hope she had but a single child she lays all her daffodil wishes on him good thing he wakes each day shining a brand new face that’s my boy she beams as the light streams in my friend Tom… now there’s a tingle in the east oh hail ye resilient beast you’re not a fool for grinning you might ache between the eyes you might slip don’t be surprised it’s not just your head that’s spinning my friend Tom…
9.
I wake with words I might have said stale upon my tongue before I can reach the bottle I taste every one other words I might have kept inside call me deacon at the dawn the sun shines bright and I can’t hide it’s a good thing you done gone gone it’s a good thing you done gone I never minded my life alone I breathe easy in the dark you came careening in overdrive at a man contented in park I should have seen it coming you quickly made yourself queen to my pawn your smile it was a hollow thing it’s a good thing… cause we were head and tail hare and snail farm and jail rock and sail we might both be flesh and bone one’s precious gem one is sinking stone pull back bullseye baby’s gone a time or two I told my life life, let’s just pack it in I was saved by the vision of my mother’s face or the sound of a guitar string often still I shiver you might be back a little further on all’s well that keeps going (keep going) it’s a good thing you done gone gone it’s a good thing you done gone it’s a good thing you done it’s a good thing you’re gone
10.
11.
been a long day from a blistered dream into a blue sky alone high-noon cicadas buzzed about my baby and how I’m on my own I set her adrift she got the strong oars I got trajectory of the sinking stone and the mud is thick no one gonna haul me up and warm these bones some of them have new men some of them are born again with the dark and the autumn coming on one thing’s sure: none of them are coming back again been a long day asking the earth not to be so greedy leaves will fade after all my carelessness could someone still need me I’ve wasted time more time than many even get to spend all along the line I plant white lilies and ask when the losses will end some of them… been a long day it’s a little later so I feel a lot more like myself now half-moon is pale even the stars are settled behind the cloud and a little jazz papers the walls of the rooms downstairs and a little breeze says there’s room for me in the wind out there some of them have new men some of them need to be born again with the dark…

about

With a band of some of the planet’s best players, Noah Zacharin applies his acknowledged lyrical and guitar mastery to present a record of “Americana”—an effortless amalgam of jazz, blues, country, and folk, played primarily on acoustic instruments. Ten songs and one instrumental piece (the latter featured in #30 of Fingerstyle Guitar Journal) take the listener on a journey that is often humorous, often heart-rending, always worth the listen.

"With his new release "Points of Light" Canadian singer-songwriter Noah Zacharin proves himself, once again, to be a brilliant lyricist, with eleven new songs exploring, life, love, and the meaning of it all. I find listening to Noah to be a cerebral musical experience, a joy to the ears and to the mind. The album's excellent production quality and many fine musical guests further enhance this superb album."
--Lilli Kuzma, host of "Folk Festival" on WDCB (Glen Ellyn/Chicago)

credits

released June 1, 2023

Russ Boswell - bass; Gary Craig - drums; Burke Carroll Pedal Steel; Denis Keldie - B3, piano; Marc Ribot - Ukulele; Kevin Breit - mandocello, baritone guitar; Roly Platt - harmonica; Kevin Turcotte - trumpet; Drew Jurecka - strings and string arrangement; Noah Zacharin - songwriting, vocals, acoustic, electric, and resonator guitars. Produced by Danny Greenspoon

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Noah Zacharin Madoc, Ontario

Zacharin writes and performs as if his life depends on it. Multi-genre, versatile guitar man; literate writer (parallel life as poet and translator with extensive international publication in prestigious journals, anthologies, etc.). Zacharin wishes to move you, that's all... ... more

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